When in the nineteenth and twentieth centuries the avant-garde was given diverse powerful platforms to announce that traditional art forms were passé, and art galleries exchanged space for the mystic likes of Picasso, Surrealism, and, in some degree, Andy Warhol, etc., they arguably prepared the way for the denial of natural gender distinctions and the… Read More From Rembrandt to Picasso
“In this two-part episode of Thinking Out Loud, Nathan Rittenhouse and Cameron McAllister dive deep into the fascinating idea of being “crypto-religious”—a term coined by Polish poet Czesław Miłosz and revived in Paul Elie’s new book The Last Supper. Together, Nathan and Cameron explore how artists like Bob Dylan, Madonna, Prince, Bono, and Andy Warhol… Read More Crypto-religous Music and Art?
“The television screen [or, similarly, Internet / Netflix ‘entertainment’] has become the retina of the mind’s eye…the battle for the mind of North America will be fought in the video arena, the Videodrome. “Whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality and reality is… Read More Perception, Reality and the Videodrome
Before there was Gloria Steinem or Michel Foucault, there was Dada. And it was deadly serious. Kickoff, Demolition time. “Dada thrives on contradictions. It is creative and destructive. Dada denounces the world and wishes to save it.” So says one narrator of journalist-filmmaker Mick Gold’s Europe After the Rain, a 1978 Arts Council of Great Britain documentary… Read More 1914. Europe After the Rain.
Revealed: how the spy agency used unwitting artists such as Pollock and de Kooning in a cultural Cold War Independent, UK. 1995 For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art – including the works… Read More Independent, UK: Modern art was Government ‘weapon’.
Or, there are many ways to resent and persecute that which is hated. Originally Titled: Modern Art. The Goldsmith Company Lecture David StarkeyGoldsmith Lecture2017 The Inquiring Mind writes “Starkey is in great form in this lecture where he excoriates conceptual art “For the inaugural Goldsmiths’ Company lecture, Dr. David Starkey spoke on the subject of… Read More How Modern Art Took a Dump on Christian Western Civilization
Aldous Huxley stated plainly, “I had motives for not wanting the world to have a meaning; consequently assumed that it had none, and was able without any difficulty to find satisfying reasons for this assumption [SH: note that desire preceded investigation]. The philosopher who finds no meaning in the world is not concerned exclusively with… Read More Huxley’s Faith and Confession
David Halberstam’s The Fifties: “Selling The American Way” “The Fifties is a sweeping social, political, economic, and cultural history of the 10 years that Halberstam regards as seminal in determining what our nation is today. Halberstam offers portraits of not only the titans of the age: Eisenhower, Dulles, Oppenheimer, MacArthur, Hoover, and Nixon; but also of… Read More Videodrome. When the Seven Deadly Sins of Excess Morphed Into “Progress”
Dr. Lyell Asher.June 10, 2022. “[It is] critical that we ask: In whose interest is it to persuade students that a university is a “home” where they’re not to think? In whose interest is it to persuade them that they’re fragile, that they’re threatened, that words are violence, that an imagined slight is as bad… Read More Why Colleges Are Becoming Cults
…Staunch liberal, Anti-abortion … and why he so appreciated Arthur Koestler’s Darkness at Noon Nathan Irving Hentoff (June 10, 1925 – January 7, 2017) was an American historian, novelist, jazz and country music critic, and syndicated columnist for United Media. Hentoff was a columnist for The Village Voice from 1958 to 2009. Following his departure from The Village Voice, Hentoff became a senior fellow at the Cato… Read More Why Former Village Voice Leftist & Atheist Writer Nat Hentoff Opposed Abortion
Andy Warhol’s self portrait (not the first photo seen here, but the purple thing…) sold some years back for $32.6 million. But that’s mere chump change; the highest price I’d seen fetched for a Warhol painting is $100 million for a 1963 canvas titled Eight Elvises. Imagine. I mean, the pop painter, printmaker and so-called… Read More Perception as Value. Andy Warhol.
Catholic Critique 